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Toss Your Javelin

by John Davey

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  • Record/Vinyl + Digital Album

    12" black vinyl with special insert not available in any other format. Comes in clear plastic outer sleeve. Mastered for vinyl by TW Walsh. Original imprint by Dilated Time.

    Includes unlimited streaming of Toss Your Javelin via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    edition of 300 

      $22 USD or more 

     

  • Streaming + Download

    Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
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  • Compact Disc (CD) + Digital Album

    Four panel case with resealable clear plastic sleeve.
    Photos by Anthony Simpkins and John Davey.
    Design by Sarah Reynolds.

    Includes unlimited streaming of Toss Your Javelin via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      $15 USD or more 

     

1.
Q 03:51
You appeared in my dream last night for a while That old look on your face, said without a smile That you thought we should talk for an hour or two But my friends were waiting so I did not indulge you But we walked to the train Shoe in front of shoe Not even wandering through those “how-do-you-do’s” Forensic. Intrinsic. I’m hoping you’re joking You reviewed it so well In your voice, I could tell That you practiced in front of a mirror or wishing well I woke with a start Rubbed my eyes, looked around Realized I was awake and alive in some other town Specific. Horrific. I’m thinking we’re sinking All around me, people falling, people calling, asking if I knew then What I know now I saw your brother on a fluke one time when he came through And he was askin’ if it happened I wondered if I ever knew at all On and on, the days are long gone Injunctions spoke, rang true As far as I can see the sky keeps opening up in front of you Daylight streams through God, it’s good to be alive on your own dime Unwholesome, unholy All this holding on too tight I’m a live wire on fire It’s true
2.
Lower Tiers 03:51
Well I watched my heroes fall I saw them crumble one and all And a chorus of “NO’s” From a gallery of those Who will never see so straight or stand so tall All the guardian angels The blanket forts and fake hells All told me to sacrifice myself On a funeral pyre with my body on fire I sat straight up and cast off all the spells With the gates open wide and my lover in sight I called her name out loud in the middle of the night And the dawn it breaks and the morning’s warm embrace Illuminates my lover’s face Well my sisters went very South and West and I went East We’re all still fighting off our demons in our sleep We cascade to the coasts Where we mostly can boast That we are living better than well But Maria, when are you gonna settle down? I see your pictures and the question practically answers itself When the back car seats on lower tiers that we have known for years Have finally had their way with all of us I was terrified and dry and wide eyed All sentimental I rubbed the fog with my sleeve off of the early morning window And the dawn it breaks and the morning’s warm embrace Illuminates my lover’s face It illuminates my future face
3.
In the cool by the glass pool Where you shed your clothes On the stony shore there Where the green moss grows That’s where you dreamt and chose And you dove down for a secret It took a couple tries And when you resurfaced Even despite the light You were dissatisfied You were utilizing tools Are we kings or gods? Or fools? StilI, I saw you watch me watching you As you drank so resolute Down to the dregs and truth How the poison worked so fast Heavy heart and pleasant mask We walked for miles with your ashes in an urn And a strongbox tight And a list of your demands Up to the House of Light Where all would be made right And with a flick of His deft wrist He let the pictures go And they floated upwards To where the warm storm blows Through the kaleidoscope So you planned and saved and stored Was your body slave or lord? Still, I saw you watch me watching you As you built so resolute Your picture-paper loot How the magic worked so fast Now you know you can’t go back You found your future in the water Unknown to your son and your daughters You were utilizing tools
4.
Every day is 90 The thunder and the lightning The Boys consuming fire and ice I’m told we’re held by Jesus But who is He to squeeze us? And who are we to think that He’s nice? When downtown the crowds gather ‘round To march in the summer parade Which will be rained on The day might’ve been won If not for the songs to be sung Keep your head up While we are still handsome and young Meanwhile I just listened To the rain fall from the kitchen Where I could’ve had you last night You dreamed of Salvation And I of Education And of the bits that fell out ‘ my mind Somehow I’m still passing up A warm kiss and a coffee cup And goldmines that might’ve been gained Keep your hand to the plow While we’re young and we’re strong and we’re brave When holy hands won’t touch themselves I know some others that might Keep your eyes open While we are still burning and bright
5.
Sugarmask 02:21
Amy’s bones protrude She is lying in the nude Smoke and faint scent of perfume In the early afternoon With her Sugarmask still on From her party until dawn Grabbed from the bargain bin At the sale on the lawn Harlan whispers “Baby, I don’t mean to stray, but I cannot be true.” Tiptoes out the way he came One and one don’t always make it up to two Delineated and defined Sometimes “to live” it means “to die” And some of us still get Somehow you die just to survive Like when Clare she whispered “John, I did not mean to stray, but I have not been true.” I tiptoed out the way I came One and one don’t always make it up to two Hangers-on! Find someone else, you hangers-on! Amy’s bones protrude She is lying in the nude Smoke and faint scent of perfume In the early afternoon
6.
Toss your javelin ‘cross the chasm Of space and time and generation A running start, the finest art Of casting shadows long and lean The Genius in your own backyard Don’t need no helpin’ hand Don’t need no praise nor accolade To cultivate the land Fortunately Behemoth’s still around His father pulled, with hands that hold the child The sapling from the earth with all its roots According to John, who was there too Though the telling sucked, the bones of it were true The Hero stands astride the ridge Surveys the valley green His vision never blurs at all He sees what must be seen Fortunately Goliath’s still around Sorrows for a day Here and gone away I’ll tell you what I’ll do Considering it’s you I will help you pull Toss your javelin See what happens Go cast your shadow long and lean
7.
I wonder what it is that motivates the creatures of the night To circle ‘round the high-walled garden Looking for a way inside The smell of babies’ breath, I guess The supple fruit of all good flesh The crumbling cookie, flaxseed cake The brick and fire which we bake with The hearty fruit on sturdy vine With love as sweet as yesterday’s wine The boiling pot, the mother’s cub A warning shot fired up above As old as hills, a fear instilled A caution sign, a chilly spine The coal-black coat, the beady eyes The slither and the scale and size They’ll warn you once, they’ll tell you twice Entreat you to take their advice They’ll treat you bad, they’ll treat you nice They’ll turn your blood as cold as ice Hard times make strong men Strong men make good times Good times make soft men Soft men make hard, hard times Hard times make strong men Strong men make good times Good times make soft men Soft men make good wine Good wine make good time Good times make hard, hard times
8.
When greeted by the extra version (extraversion) of yourself You oughta shake hands Beneath the marquee there on Sandstone Street With Linda Ronstadt fans When she says “keep my name out of your mouth” With a wink and a frown You fall. Hard. I looked frantically for the word that I heard But it didn’t match ‘Til I realized that I was looking at the wrong page And we laughed at that Offshore the word caught On the crest of a wave I’d found Then disappeared without a trace Without a sound Oh, but suddenly I realized I was alive But only ‘cause I was the other guy They’ll keep you down just as long as they know how With their knowhow But you change the rules when you engage them On their own terms, in their own words But try as you might You fall. Hard.
9.
Meaning will flow from people who know Hands folded, heads raising slow The shivering light at the end of the fight One victory, ragged but right I felt that guardian itch When the cold hearted bitch Of Winter come grinning me down (Her name was renowned Known all over town All dressed up in her evening gown) There’s frost in the grove And lights on the cove And visions of heaven come down When the wire came through What were we to do With that calumny bitter and blue? What you hold in your fist With a turn of the wrist Sends shivers into the Unknown Just see how you are feeling in the morning I’ll know how to care for you there There’s frost in the grove And lights on the cove And visions of heaven come down I felt that guardian itch When the cold hearted bitch (White Wide-Eyed Witch) Of Winter comes grinning you down (Her name was renowned Known all over town All dressed up in her evening gown) There’s frost in the grove And lights on the cove And visions of heaven come down

about

Toss Your Javelin is the collaborative musical effort of John Davey, Shane Leonard, Jeremy Boettcher, and Josh Gallagher.
Thanks to Evan Middlesworth and TW Walsh for their indelible and invaluable contributions.
Toss Your Javelin was funded by 139 Kickstarter backers.
Special thanks to Lydia Davey, Alicia Smith, Ethan and Michelle Marosz, Chris Cavalieri, Ben Van Sluys, Aandi Kropelin, and Maria Davey for their especially generous contributions.
Thanks to the support of my loving wife Mary for the encouragement to get the ball rolling again and the gift of daily laughter, beauty, and song.
Thanks to RJ Little, Dennis “Bud” Clowers, Jon Letts, Harry South, Peter Gummerson, Steffen Yazvac, Matt Whatley, Scott Lawrence, Sarah Reynolds, Anthony Simpkins, Jesse DeCaire, Jess Zerbel, Miriah Redmond, Jon Newton, Greg Sandell, Devon Grice, Matthew Fowler, Todd Larson, Don Willis, and Hans Gottsacker for the creative and philosophical collaborations, the support, and the words of encouragement in the interim.
Thanks to Andrew Jones for the short story, JQR and my own spooky underground for that dream, and Theo McCracken for a few juicy one-liners.
Thanks to Zephyr Wine Bar + Café, Ore Dock Brewing Company, Mad Goodies Studio, Blackrocks Brewing Company, Contrast Coffee, The Crib, Monday Night D&D, Orpheum Theater, Lakeshore Park of Marquette, WNMU FM, WUPX, and Yooptone Music for backing my efforts and tolerating my “thing” in the Upper Peninsula.

Toss Your Javelin was recorded between November 2018 and August 2019 in one pre-production session, two main tracking sessions, and additional overdub sessions.

Dedicated to Emojean and Dorothy.

credits

released September 15, 2020

All songs written by John Isaac Davey (ASCAP)
Produced, Engineered, and Mixed by Shane Leonard
Additional Engineering by Evan Middlesworth
Tracked, Overdubbed, and Mixed at Shane Leonard’s house (Eau Claire, WI) and Pine Hollow Audio (Eau Claire, WI)
Mastered by TW Walsh (Boston, MA)

Published by Yankee Doodle Dandy Publishing (ASCAP), Gourdon (ASCAP)
Photograph by Anthony Simpkins
Design & Layout by Sarah Reynolds

LBE.005

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John Davey Marquette, Michigan

A songwriter and recording artist in Marquette, Michigan.
A tree transplanted; West Lafayette, Indiana / Nashville, Tennesee

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